Poetry Prize
Pollock was chosen as the Manchester Poetry Prize winner by a judging panel chaired by the Forward Prize-winning poet Malika Booker, who is Lecturer in Creative Writing at Manchester Metropolitan; Arshi, who won the same prize in 2014, and poet Mimi Khalvati.
A poet, critic and academic based in Wisconsin, USA, Pollock’s first collection Sailing to Babylon (Able Muse Press, 2012), was a finalist for the Griffin Poetry Prize and the Governor General’s Literary Award in Poetry, and winner of an Outstanding Achievement Award in Poetry from the Wisconsin Library Association.
I am moved and honoured that my poems have been awarded the 2020 Manchester Poetry Prize, and I tip my hat to the talented poets on the shortlist, for whom many future honours are in store.
His poems ‘Lighter’, ‘Scale’, ‘Screw’, ‘Sewing Needle’ and ‘Microphone’ were described by judges as “an exquisite piece of machinery, mirroring its subject, every cog and wheel finely oiled and finely dovetailed.”
Booker said: “These poems could only have been written by an accomplished poet with a wonderful ear. These poems were delicious on the tongue and we had pleasurable moments reciting the words aloud in order to savour and celebrate these compact poems, that are, in a way, metaphors for poetry itself.”
Pollock said: “I am moved and honoured that my poems have been awarded the 2020 Manchester Poetry Prize, and I tip my hat to the talented poets on the shortlist, for whom many future honours are in store.
“My profound gratitude to the esteemed judges, Mona Arshi, Malika Booker, and Mimi Khalvati, for their commendation; to the staff at the Manchester Writing School who worked on this year’s competition; and to Carol Ann Duffy, sine qua non of this major prize that has done so much to support the creation of outstanding new work, and to bring it to the attention of readers around the world.”
These poems were delicious on the tongue and we had pleasurable moments reciting the words aloud in order to savour and celebrate these compact poems, that are, in a way, metaphors for poetry itself.
Fiction Prize
The Fiction Prize judging panel was chaired by novelist and short story writer Nicholas Royle, Reader in Creative Writing at Manchester Metropolitan, alongside Fiction Prize 2019 winner Tim Etchells and novelist Irenosen Okojie.
It’s an elusive yet at the same time accessible story that seems to recede from you even as it swims into clearer focus.
Winner Dudley studied Zoology at university and worked in market research, travelling extensively in Europe and the US. He’s had short stories broadcast on BBC Radio 4 and Radio 7, and is currently studying full time for a PhD in Creative Writing at the University of Birmingham. His story ‘Exit Row’ is a series of short individual vignettes, set in hotels, airports and at the bedside of a dying friend.
Royle said: “Trying to nail down what it is about Ian Dudley’s ’Exit Row’ that made us pick it as the winner, out of a very strong shortlist, you realise that its appeal is partly down to its very un-nail-down-ability. It’s an elusive yet at the same time accessible story that seems to recede from you even as it swims into clearer focus.”
Dudley said: “Being shortlisted for the Manchester Fiction Prize felt like a huge win in itself. When I read the shortlisted stories, I saw that the judges had selected a group of writers who had adopted very different approaches to storytelling, and who each carried off their choice with aplomb. The accomplishment and diversity of the stories means that winning the Prize comes as a shock — a welcome shock, but a shock, nevertheless.
“Writing is a lonely job, and for the most part writers wouldn’t want it any other way, but it’s impossible to overestimate the energising effect of a quiet pat on the back. And so, I’m grateful to everyone associated with the Prize, from the judges, to those involved at the Manchester Writing School, to Carol Ann Duffy who established the Prize, for this award.”
Prize money totalling £215,000 has now been distributed through the Competition, with entries coming from over 80 countries, underlining Manchester’s status as an international centre for creative writing.
Writing is a lonely job, and for the most part writers wouldn’t want it any other way, but it’s impossible to overestimate the energising effect of a quiet pat on the back.
Professor Jess Edwards, Head of English at Manchester Metropolitan, said: “The Manchester Writing Competition is a key part of Manchester Met’s mission to enable and support new writing at every level, from the children in the UK’s north west who take part in our annual schools poetry competition Mother Tongue Other Tongue, launched for 2021 this month, to the writers from around the world for whom success in our competition can mean valuable support and the chance to reach new readerships.”
Entry to the Manchester Writing Competition 2021 will open later in the year.