Summary

Research summary

  • 2017 - ongoing

Prof Jon Stobart has traced the development of ideas about comfort through the eighteenth century: how it was conceived and experienced in different economies, societies and climates.

His focus is on the homes of the gentry and aristocracy, in Britain and elsewhere in Europe.

Physical comforts

During the eighteenth century, physical and bodily comfort became more important in home life, as shown by the introduction of new forms of heating and lighting as well as developments in furniture designs.

Improvements in heating and lighting emerged through different technologies across Europe: coal fires in Britain, iron stoves in Germany and tiled stoves in Sweden.

With the arrival of easy chairs and sofas, furniture designs began to focus more on bodily comfort. This led to new informal room arrangements - something continental visitors described as ‘English comfort’.

But such comforts could quickly be undermined by dirt and insect infestation, including bed bugs with their anxiety-inducing presence and irritating bites.

I keep good fires, and seem to feel warm weather while I look through the window, for the way to insure summer in England is to have it framed and glazed in a comfortable room.
Horace Walpole, Strawberry Hill, 1774

Emotional comfort

As important as physical comforts were becoming, emotional comfort remained a central concern.

Some people were comforted by their religious beliefs and practices – from feeling the presence of God to the daily routines of prayer and bible-reading. Others drew comfort from family and friends, although contented domestic life was by no means assured.

In particular the power of letters to offer comfort to both the writer and the recipient is explored. While this was especially true for women – sisters were a more certain source of comfort than brothers – men could also find comfort in letters, as the correspondence of writer Horace Walpole makes clear.

Home comforts

Central to the research is the idea and ideal of home as a place of physical and emotional comfort.

Relationships between people, objects and place are revealed as critical in the construction of home, with a particular emphasis on memory in cementing these relationships.

Memories could be held in letters, things, rooms or buildings and all could evoke powerful feelings of comfort and discomfort.

I passed a most comfortless night for want of my dear Bed fellow, my feet, and back were almost perished… my poor heart aches sadly at our separation, for indeed I have no comfort when deprived of my beloved William.
Elizabeth Money, Whetham, 1805
Two chairs in the style of the bergères
Two chairs in the style of the bergères (Credit: Rijksmuseum)
Reinier Vinkeles' illustration A Young Woman Comforts Her Crying Friend
Reinier Vinkeles' illustration A Young Woman Comforts Her Crying Friend

Research outputs

Books

Academic papers

Website

Funding

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